Contributors
Winter 1996

Jennifer Alexandra Duncan received her BA in Creative Writing from York University and is currently completing her MA thesis at Concordia University. Publications include Contemorary Verse 2, Prarie Fire, and the Blood+Aphorisms Anthology. Lydia Eugene has been published by Index and Future Tense Press. She's an expatriate from Chicago who's made her home in Montreal. Golda Fried has a chapbook out called check the floor. Her poetry also appears in Revival: Lolapalooza '94 and in an upcoming anthology by Future Tense Publications. Her prose appears in the Golden Issue of Blood+Aphorisms and the current issue of Matrix. Jonathan Goldstein is a Montreal poet whose work has appeared in the Lolapalooza '94 Anthology. He has a chapbook out called Blowhard pomes and is the head ranter of the spoken word band called Blowhard. Grant Loewen has published the novel, Brick, Looking Up wtih DC Books which he wrote while a student in Concordia University's Creative Writing Program. He is an editor of The Moosehead Anthology and is currently writing a second novel. Bee MacGuire is a Montreal writer, journalist, and Gazette columnist. She is currently working on a children's novel. Athena Paradissis holds an M.A. in Art History and is currently working on her M.A. in Creative Writing at Concordia University, Montreal. Publications include Matrix, Espace Sculpture Magazine, C Magazine, and Raw Fiction. She received first prize in the CBC Cross-Canada Ancedote Competition (1992). Connie Barnes Rose has been published in Fiddlehead Magazine, Corridors Anthology, Index, and Storyteller. Her work is due to appear in the spring issue of Matrix. Todd Swift has been published in Quarry, The Moosehead Anthology, Matrix, and Fiddlehead. He has four chapbooks out including his latest, American Standard published in Montreal by Vox Hunt Press. He's written scripts for Hanna-Barbera, Paramount and HBO. Karin Szlagowski is a painter and sculptor living in Montreal. Her work has been featured in the Radio Québec production Omni Science, and a Gille Carle documentary, Montreal Off. Exhibitions include a Montreal Maison de la Culture, several multi-media exhibitions at Foufounes Electriques and an assortment of local galleries. Some of the work exhibited here is available for purchase. Inquiries may be sent to the editor, and will be forwarded.